যাদবপুর

বিজয়া ঘোষ

আজও আছে লেক,আছে তার সিঁড়ি, সিমেন্ট  বাঁধানো সাদা
সেখানে বসেছে তরুণ তরুণী প্রেমের বাঁধনে বাঁধা
আছে DSF, আছে SFI, ইউনিয়ন বীর
এখানে বাঁধা যে চিরতারুণ্য সময় এখানে স্থির।

ইউনিভার্সিটি তোমার  বুকের  বিস্তৃত  প্রান্তর,
তাতে কি কখনও কোনো ছাপ পড়ে ব্যথা পায় অন্তর?
ইউনিভার্সিটি, আমাদের কথা তোমার কি আছে মনে?
গ্ল্যামারের ছটা ছিল না যাদের, ছিল যারা এক কোণে।

শিলঙ-স্বাগতা, ক্ষ্যাপাটে বিজয়া, মালদার  কোহিনূর
খবর রাখো কি কে কোথায় আছে, চলে গেছে কতদূর ?
Ragging এর ভয়ে লুকিয়েছে যারা বাথরুমে  সারারাত
কত্থক বোলে ব্রতচারী নেচে আসর করেছে মাত।

মফস্বলের সাদাসিধে রানু, শিশিরের ছোঁয়া গায়ে,
স্মার্ট হবে বলে ব্ল্যাক কফি খেত, চিনি বাদ দিত চায়ে,
ইংলিশ মুভি কথা বোঝা ভার, ভান করে জল-ভাত,
সিলভেস্টার স্ট্যালোনের প্রেমে খাবি খায়  দিনরাত।

গড়িয়াহাটার ফুটপাথের স্টলে শাড়ি পছন্দ করা
বেছে দিতে সাথে পুরো টিম যেত,পালা করে হতো পরা
দোলের সকালে ঢোল কাঁখে নিয়ে বাড়ি বাড়ি ঘুরে গান
ভেটের পয়সা একত্র করে ঝুপড়িতে জলপান।

সাপ্লি পাবার ডিপ্রেশনে সিক্ ,তাই সিনেমায় যেত,
মেসের খাবারে নুন কম বলে মিলনের ঢপ খেত,
জুনের গরমে নন-এসি হলে বিগ-বির হিট ছবি
ঘামে আর তেলে মাখামাখি, তবু সেরে যেত  সব রোগী।

সরস্বতী পুজো সারারাত জেগে রঙ্গিন আলপনা আঁকা
ভিসির বাগানে টব চুরি করে প্রতিমার পাশে রাখা
ভাং-এর নেশায়  মাতাল কান্না বিসর্জনের  ক্ষণে
কিছু কি তাদের রয়ে গেছে সেথা কিছু কি পড়েছে মনে?

মনে পড়ে যায় ঘুটেদার সাথে সুতপা দিদির প্রেম
ম্যেকানিক্যালের সেই স্যার যার সব  মেয়ে হলো গেম,
সন্ধ্যেবেলায় যেন আজও শুনি যাত্রা পালার স্বর
মহিষাসুরের নাম ভূমিকায় সিক্যুরিটি অফিসার।

রেললাইনের পাশে খোলা মাঠে সংস্কৃতি  উৎসব
মাঝরাত তক্ সেটা দেখা আর ঘরে  ফিরে এসে সব
আলোচনা করি আগামী বছর আমরাও যাব স্টেজে
তারপরে যবে রেজাল্ট বেরোয় সব প্ল্যান যায় ভেসে।

মেটাল্যার্জির বিল্ডিং ঘেষে চলে যাওয়া বনবিথী
তার কিনারেতে পলাশের গাছ ফুল কুড়োবার স্মৃতি
পঁচিশ বছর পেরিয়ে গিয়েছে তবু আজও  অমলিন
ভার্সিটি তুমি আমার স্মৃতিতে চিরবাসন্তী দিন।

Rocky’s Magic Keys

Adrija Mitra

Once upon a time there was a boy named Rocky. His dream was to be a superhero. Everyday he looked for an opportunity to be a superhero but he never found it. Growing up he slowly started giving up on his dream. The dream fairy took pity on him and made a plan. That night in his dreams his favourite superhero gave him a key and said, “I know you want to be a superhero like me and that is why I am giving you this key. If you shake it thrice a door will appear which only you will be able to see, if you open it you will find trouble. Once you save the day, you have to shake the keys thrice again to come out.” Then the superhero vanished into thin air.

Next morning Rocky woke up to find a key under his pillow. He went to the attic excitedly and shook the key thrice, a flash of light appeared and grew into shape of a door. Both excited and at the same time scared he opened the door. He saw a giant robot destroying a city, he also saw his favorite superhero fighting. He hid behind the broken walls and thought of ways to unplug the robot. Suddenly the robot turned its back towards him and he could then locate the plug point of the robot. He dashed for the robot’s back and unplugged it.

The robot fell to the ground with a thud and all the people including his favorite superhero cheered for him. From the next day onwards he kept on saving lives, cities and places using his magic key!

One day as he returned from school and sat down to watch TV, he saw himself and his favourite superhero fighting. He was surprised! Now he understood that the door which opened with the magic key actually led to the TV !

I Am ….

Protiksha Ukil

 

 

I am a volcano,
With soothing green grass growing all over my slopes,
Little huts lining my feet and sometimes snow complementing my head,
But look, look deep enough and you will find bubbling lava under that innocent looking crater,
Provoke me, and I will be the epitome of destruction.

I am a puddle of water,
With insignificant ripples and a dirty brown tint
Shoes keep splashing me or ignoring my existence,
But look, look deep enough ‘else I could hide huge potholes that could leave you crippled,
Fail to acknowledge my presence, and I will leave a broken leg along with a muddy dress, me lady.

I am a rose,
With velvety red petals and sweetest of odours
A symbol of love, a gesture of appreciation,
But look, look deep enough and you will see those little thorns, my defense against those lovers’ preying hands,
Try to hurt me, and I will leave fingers as bloody and red as my lovely petals.

I am a coconut,
With a hard and rough outer shell,
coir growing all over my skin and sometimes three ghostly looking eyes,
But look, look deep enough and you will find tender white softness in my heart,
Open me up, and I will be a soul soother that brightens up your day.

I am a butterfly,
With vibrant wings and painted patterns,
How I metamorphosed from an ugly duckling into this current self, I wonder,
But look, look deep enough and you will realize how fragile my beauty tends to be,
Disturb me a little, let the time pass by and my outer beauty perishes to dust while the mark of happiness that I leave remains.

I am a girl,
With a dark complexion and plenty of pimples
Flabby fat hanging around my hips and a huge blunted nose,
But look, look deep enough and you will find a motherly heart, talent shining through my eyes and a lightning smile that could strike you with its positivity.
You haven’t ventured to find out the true me, I AM a VOLCANO, a PUDDLE OF WATER, a ROSE, a COCONUT, a BUTTERFLY and a lot lot more………………..

Illustration: Protiksha Ukil

 

The Winter Sunflower

Saanvi Mazumdar

I was completely blank! I kept walking towards the garden though I didn’t want to. What is happening? I tried my best to grab onto the stems of the sunflowers but something just kept pulling me. It was like a magnet that pulled me towards that pit. The big black pit and with my each step I came closer to it. I could not stop, so the only thing that came to my mind was to shout for help, but it seemed I was all alone. Not a single soul. Not a single sound. Except the ferocious roar from the pit. And it grew louder and louder each second until I was just a metre away from the pit, and then it stopped. So did that force that pulled me? What had just happened? I was weary but at the same time curious about what was inside the pit. My own thoughts scared me. Maybe just a small peek. But maybe I was dreaming.

Dream it was.

My eyes opened. I turned to check the time. It was ten past five in the morning but it was pitch black outside. The air was infused with winter frost. The leaves trembled. The street light shone outside and the birds chirped. I was dreaming again, wasn’t I?

This is the same dream I have been seeing for the last couple of weeks. And the strange thing is that I always wake up just before I take a look inside the pit.

I decided it was a good idea to go for a jog because it was really early and there was no chance I could fall asleep again. As I was getting ready the first light of dawn appeared. Beautiful. The perfect thing to distract my mind from that nightmare. It was a chilly winter morning. The sky was washed with grey, watery light illuminating thin patches to brilliance. Even though it was one of those dull and gloomy cold days of winter, the sun was bright in the sky. I put on my earphones and started jogging on my way to the park. Surprisingly, on my way I discovered that the road was blocked due to some kind of construction. So there was no other choice but to take a different route. Although it wasn’t a really good start of the day I convinced myself by saying ”Well I should do something new everyday.”

I turned left and reached a dead end. What? I am pretty sure this lane used to be a short cut to the park. What is happening to me? I am just 24 and I have already started forgetting things. I am worse than an old lady. I perhaps took the wrong turn and so, I went back to main road and turned right.

This time fortunately the road was not a dead end but I didn’t seem to recall taking this route before and also there was no one around to ask. And the only thing I could do was to go on with the flow. I started following the path which lead me to a garden. It looked very familiar. The green patch of endless land was covered with colourful spots. There were butterflies flying and bees buzzing everywhere. There were just so many varieties of flowers. From purple lavenders to bright yellow marigolds, pink tulips to red roses, lotuses, water lilies and sunflowers. Sunflowers? But it is winter how is that possible? And then it struck me. This is the place, the same garden I visited in my dreams. I took a deep breath. Relax! I told myself. Dreams are a different fantasy world. They are not real. I am dreaming again. Right? Please, someone tell me that I am dreaming once again. And at that very moment I heard the roar, and my feet started shaking. It drew me towards the place where the sound was coming from. I yelled: “Please someone stop this. Help me! Help me!” but there was no one. My nightmare is coming true. I grabbed onto the sunflowers and tried my best to stop but nothing could prevent me from going to the pit which was just a few metres away from me. The roar continued to grow louder and louder until I was just a metre away from the black pit and it stopped. My shoulders relaxed. Was I actually dreaming? Maybe I should have never thought of that because this time I didn’t wake up. Instead the roar started again and I fell into the pit.

Everything went black and silent.

As a child, night used to be my favourite time. I knew that darkness was an open gate for all the mystical creatures to come and visit me in my dreams. But today I knew it was different. This time I won’t be able to wake up and see the light of hope ever again. Because I was trapped.

Trapped forever.

Illustration: Sanvi Mazumdar

The Ghost of Uma Villa

Sharmistha Dasgupta
My father’s ancestral home,
Uma Villa, more popularly known as Uma Kutir in Bengali, was named after his grandfather Umacharan Sengupta, a native of Dhaka, in erstwhile East Bengal. Umacharan had shifted to North Bihar sometime in the early years of the last century for professional reasons and chose to settle down in the small suburban town of Araria. It was a largely insignificant town by the river Ponar, inhabited surprisingly, by a lot of Baidyas from East Bengal. The house he had built, way back in 1913, was a fairly large one, with a lot of surrounding land, big enough for a large family. My grandfather was the middle child among three brothers and had married a young girl from Dhaka who travelled all the way to this distant town to share his home and raise eleven children. They shared Uma Villa with the older brother’s family and scores of nephews and nieces who chose to visit for prolonged stays. The house therefore had its fair share of noise – laughter, arguments, snivels and tears and any ceremony lent it a festive air. The eldest son of the house, my father’s older cousin had turned out to be a spoiled brat due to his overindulging parents and they had chosen a beautiful bride for him, all the way from Calcutta – a young college educated girl who sang beautifully and soon became a favourite among all the local youngsters. The only unfulfilled desire in their lives was for a child. So when the good news finally came, she was immediately packed off to her parental home in Calcutta for a safe delivery. Months passed and one day the son came back to Araria with the devastating news that both the mother and the new born had failed to survive the rigours of a difficult birth. The entire town went into a shock. Their favourite Boudi was gone forever, she would never again gather the young girls of the locality together and teach them the new fashions from Calcutta or the latest songs that were being played everywhere, it was an irreplaceable loss and every heart went out to the young man who had lost both wife and child at the same time.
Several months passed, the next door neighbours, also distant relations, invited him to visit their ancestral village, perhaps for a change of scene. He went, though not too willingly but when he returned he was accompanied by a wife – a young, illiterate village girl who matched the first wife neither in looks nor in talent.
Araria, though hugely disappointed, was not unkind to the poor girl. The family accepted her and decided to host a reception afterwards to welcome the newly-weds.
The sun was beginning to set by the time the morning rituals were over and the new bride wanted to wash up before the guests started to arrive for dinner. My oldest aunt, Chinu, had the honour of assisting the new bride in everything and accompanied her to the bathing area which was a little distance away from the main house. Darkness had set in when the first screams reached the sitting room. Immediately a commotion broke out, the young and the old, came running to see what was wrong. My father too, was among the curious onlookers. And there she was, crying and shouting hysterically, occasionally breaking out into wild laughter.
“What’s wrong, dear?” asked my grandmother and her reply stunned everyone. “Chinudidi has hit me” she said without turning a hair. My aunt looked bewildered and her husband stepped in, “Impossible, why would she do that? You are lying.”
A sly look look came onto her face. But she refused to relent, blaming my aunt in a singsong voice. Now the guests had begun to arrive and the whole situation was becoming extremely embarrassing. The elders in the house decided she was a patient with a conveniently concealed history of hysteria and needed treatment. But what should be done to prevent tongues from wagging? The best solution seemed to be to keep her confined, on the excuse that she had suddenly taken ill.
Accordingly, she was kept in one of the ground floor rooms, locked and bolted securely from the outside. And as the night wore on and the guests dispersed after a relatively somber evening, she stopped crying and shouting. And then to everyone’s utter consternation and shock, the opening lines of a popular song, “Saanjher Taroka Tumi,” a favourite of the admirers of their former beloved sister-in-law Sushama, wafted through the locked doors, beautifully sung, just like ‘she’ used to, previously.
“That that that……..” my aunt was visibly nervous, the children had become quiet, only some of the seniors were whispering among themselves, heads were being shaken and hands wrung and the tension was mounting as the song went on and on. The song stopped as suddenly as it had begun. Someone unlocked the door and they all rushed in to find her sitting on the bed with the same look of cunning on her face. “She is possessed,” said my uncle, an expert in paranormal affairs. “We have to get an ojha.” An
ojha or a witch doctor used to be the main weapon against anything deemed supernatural in those days. So in due time, an ojha was summoned from some distant village. Armed with brooms of various sizes in his hands and a sack full of some powdery stuff on his shoulders, the ojha arrived.
He sat in front of a small pyre, the new bride on the other side, eyes wild, hair dishevelled and with them sat my uncle. And then it started, the
ojha kept on throwing some of that powdery stuff at the young girl and the poor soul yelling out in some unseen agony. And then the harsh voice of the ojha repeatedly inquired, “And who are you?” And as they waited with bated breaths and hands held fast, only one word emerged through her clenched lips, “Sushama.”
There was pin drop silence as my uncle turned towards his new sister-in-law, looked directly in her eyes and asked her to speak the truth. “Yes, I am. I am Sushama, how dare he marry again? How could he forget me within months?” she said.
“Of course, I won’t allow her to replace me, I won’t, I won’t,” she was screaming hysterically again, tears streaming down her face. My father and the other kids had gathered near the door, eager to listen in while the other members of the family were sitting just outside the door, some of them crying, most of them too terrified to even speak.
“I was watching all the rituals being conducted from my corner in the garden and waiting for an opportune moment to catch hold of this imposter and when she went to bath with her hair left loose, it was just a matter of minutes to possess her body and here I am, back to my rightful place and whatever you say or do I am here to stay,” and she laughed, an eerie sound that sent chills down everyone’s spine.
However, my uncle was not about to give up so easily nor would the hired ghostbuster go back without achieving some measure of success.
They persisted and diligently stuck on to their job through the day and the night after, interrogations coupled with liberal use of the brooms alternating with the powdery dust thrown at her face and as they went on and on, the victim “seemed to be gradually weakening” and finally the next morning there came a change in her demeanour and with a huge sigh, she finally agreed to let go.
“And how will we be sure that you would be gone forever?” asked the
ojha.
“That big tree in the corner was where I had stayed before I found this body,” she replied. “The moment I leave, there will be a great gust of wind and a branch will break and fall to the ground.”
Within five minutes, a great gust of wind rattled the windowpanes and sent papers and books flying all over the place and then there was a loud crack as a thick branch of the tall tree at one corner of the dark garden fell on the ground. Putting out the tiny flame of the earthen lamp the gust of wind was gone as suddenly as it had arrived and the house fell silent once again as the young bride fell down in a faint.The ladies of the house came running with water and tried to revive her and soon she stirred and opened her eyes, shock and terror writ large on her face.
“What happened?” her voice sounded anxious and frightened.
“Don’t you know?”asked my aunt.
“No…..why am I on the floor? And why is everyone crowding around me?”
She, apparently did not remember anything, possibly a blessing but the incident remained fresh in everybody else’s mind for years to come.
My father enjoyed relating this story to anyone interested in true stories of hauntings and spirits, especially since this was his first ever encounter with creatures beyond the realms of existence and it was also the best tale about the ghosts.

A Pair of Oranges

Rishikesh Sengupta

Every morning, a young woman used to sit on the footpath in front of our house, selling Nagpur oranges. Just a single basket and though a little overpriced and relatively less sweet than other varieties sold in the market her wares would sell in no time. A little girl, about five years old, ragged and unkempt in appearance, her big eyes looking out of an emaciated face, would always sit by her side. I wasn’t particularly interested in either the background or the socio-economic condition of the mother-daughter duo but the fact that they never failed to sell off a single orange somehow made my day a lot brighter. Mitiya, as the little child was addressed by her mother, had the sweetest smile reserved for her Dadu when I looked out of my bedroom window every morning.

I remember that particular Sunday morning very well. It had been drizzling since the early hours of the day and the wind blowing from the lake side was cold and nippy. Mitiya had taken shelter under my balcony and the footpath appeared deserted and devoid of the early morning pedestrians who usually stopped to buy oranges. And as the day progressed,with little sign of the rain abating, Mitiya and her mother waited, patiently at first and then, a little desperately with the oranges looking a little wilted as the basket refused to be emptied out. Mitiya had begun to cry due to hunger, cold and exhaustion, wanting to go home; she begged for an orange; but how could she have one, weren’t they terribly expensive?

It would be far better then to go home and boil a handful of rice and yet she lingered; if the oranges remained unsold there would hardly be enough money to buy rice. Meanwhile, Mitiya ‘s face was growing darker by the minute, etched with fatigue, hunger and the dampness spreading through her clothes. I walked out into the downpour and approached the young woman. As I handed over the money for a pair of oranges I could see the beginnings of a smile lighting up that innocent little face, a smile that crinkled Mitiya’s beautiful eyes when I handed her the oranges and urged her to eat. And as she quickly unpeeled the first one and licked the not so sweet juice off her lips, the sun peeped out of the clouds and my Sunday was made.

(Translated by Sharmistha Dasgupta)

When Love Conquered All

Mohona Chowdhury

Preeti opened her file and took out the letter. Tucked in a white, crisp envelope, with a small handwritten note on the top – “To Preeti, the love of my life.” She opened the letter and started reading.

Dear Preeti,

I know by the time you read this letter it will be too late. It is sad how our parents never understood our love. But, how do I let go of all those memories we made?

Do you remember the day we both met for the first time? Of course you do. How can you forget? Your nervousness for the job interview was evident – you wore two different socks! But trust me, you still looked gorgeous that day. I miss how your curls used to brush against my cheek.

And remember the first time we kissed? It felt like my feet had been swept off the world. But unfortunately, the world never understood us. Or our love. Maybe our love was too pure and too innocent for this society, absorbed in its rigid customs and traditions to understand.

Will the world change Preeti? Will couples with innocent love like ours win over the world with their love? Or are they too going to be the victims of this cruel society?

Preeti, before I take your leave, I would like you to remember one thing – I loved you like no one ever did and my love for you will be an everlasting one.

Yours and yours only,

Ankita

Preeti, wiped away her tears and folded back the letter she had been reading each day for the past eight years.

Her phone buzzed on the table beside the bed and she peeked into it, looking at the notification. A news headline read- “ Section 377 scrapped. Homosexuality now legal in India. “

Preeti smiled and whispered under her breath, “The world has changed Ankita. Finally, our day has come.”

Sandesh And Other Sweets -The Taste Enhancer

Sampurna Bandyopadhyay

We have all read the great poem of Rabindranath Tagore where he wrote,

আমসত্ত্ব দুধে ফেলি, তাহাতে কদলী দলি,

সন্দেশ মাখিয়া দিয়া তাতে–

হাপুস হুপুস শব্দ চারিদিক নিস্তব্ধ,

পিঁপিড়া কাঁদিয়া যায় পাতে।

(Milk and dried mango pieces were mixed together and then banana was mashed and added to the mix followed by sandesh. Everyone lapped up the delicious preparation promptly, reducing the ants to tears because nothing was left on the plate for them.)
Sandesh is a sweet, known as the enhancer of tastes. In India, especially in Bengal, people love to eat sweets. Celebration of any good news ends with mishtimukh (eating of sweets). This has become a long standing custom. Enormous production of milk and sugar cane encouraged the practice of making sweets with chhana (cottage cheese) and sugar. Especially Bengal often saw certain changes and intermingling of tastes and preferences. Urbanization in Bengal in 18th century, rise of different cities, development of old cities into new ones contributed to the flourishing of the confectionery industry. Advent of Vaishnava cult was also an important factor. Famous historian Atul Sur opined that in 1756 there were sweet shops at Sutanuti area of Town Calcutta. The report of Fever Committee also mentioned the buying and selling of sweets in Calcutta. But by early 19th century sweet shops and sweet trading became very common in Calcutta. During this time sandesh, a special kind of sweet with cottage cheese as its chief ingredient, became popular. In early 19th century various kinds of sandesh were available. Sandesh found acceptance among the Bhadralok class who found it convenient to carry a box of these sweets when they visited friends or relatives. I wonder if these visits enabled the exchange of news between families about their well beings and the visitor handed over the syrup-less and the convenient-to-carry sweets. Sandesh most likely owed the origin of its name to this practice.
Earlier, sweets without syrups were common. Later, in the second part of 19th century the sweets dipped in syrup became popular with rosogollah and pantua gaining prominence.

Now we should trace the background of the emergence of “ sweets-making” while keeping aside the molasses and indigenous sugar made from sugar cane. India, especially Bengal has often gone through certain changes and inter-mingling of tastes and preferences. Bengal was the preferred destination of people across the world and they left their mark not only in its history but also on cuisine. Among various changes and transition, the arrival of Portuguese and the influence of Mughals and Vaishnavites are key factors contributing to the emergence of Bengali sweets. There are also instances where we see that Bengali sweets were baptised with innovative and creative names like – labongo lotika, kheer kadam, rosho madhuri, and so on. Bengal had always been the land of sweet lovers and in all probability it might be that these names were a result of a certain degree of commercialization. The sweet makers were desperate to sell their products and wanted to lure their customers with such creative names.
According to certain sources of oral history and also from the references of Panini, it is believed that Bengal which was once known as ‘Gour Banga” got its name from the production of gur (molasses). According to K. T. Achaya, Bengal has long been the home of sugar cane cultivation. From the Pundra area (Modern West Bengal) superior variety of sugar cane was procured. Another was the jaggery which was extracted from the palmyra and often used in sweet curd (misthti doi).
According to food historians like KT Achaya and Chitrita Banerjee, in India prior to 17th century there was no reference of cottage cheese (chhana). Probably, the Portuguese were responsible for bringing in the concept of cheese or chhana. Though there are other views which speak of the Vaishnavas who knew the techniques of extracting cheese. Even before the Portuguese the Vaishnavas used various methods to make sweets that were different in terms of taste and ingredients. These innovations were probably because they were vegetarians. A particular dessert, sandesh was mentioned several times in Krittibas’s Ramayana and lyrics of Chaitanya. However, many food historians believed that this sandesh was different from the chhana-based one as it was made of solidified kheer.
In ancient India there were references to mithai which required gur in its preparation. Sugar cane played a significant role in the ancient period and this is very much evident from the references in the Ramayana and Mahabharata, as molasses cannot be produced without sugar cane. The origin of sweets in Bengal is proved by these references. But the confusion arises due to the different names of sweets. Some mention it as sandesh, others refer it as mithai or as modak but whether all of these refer to the same kind of sweet is a matter of dispute. The name modak has its mention in Devanagari script. Modak is popular in many parts of India and quite surprisingly in Rajasthan there is an area called modak. Is the sweet named after its place of origin or was it associated with the Hindu deity, Lord Ganesha, mentioned in ancient Hindu mythology ? In Japan, a sweet similar to modak and locally known as Kangidan is offered to the Japanese version of Ganesha. Again, modak in Bengali, happens to identify with a sweet maker or a moira. Modak in most cases in shaped in the form of momos (a popular dish in South Asia) with the outer covering made with flour and filling it with coconut and jaggery.
Another word mithai has a ‘Hindi’ origin and is very popular among the non-Bengali speaking people of India. The very name also signifies ‘sweet’ but might not always be prepared like sandesh. Mithais are mostly made of coconut, moong dal, semolina, flour, etc. along with lots of sweet spices like cloves, cardamom, nutmeg and dry fruits, examples that can be cited include Carrot halwa, besan barfi, moong barfi, kaju barfi, etc. Lastly, comes the, sandesh our favourite Bengali sweet dish. Probably, this name came up in association with the concept of ‘Sandesa’ or message given by a messenger. The name sandesh is of Indian i.e. Sanskrit origin and which means message among quite a few of certain Indian oral traditions. This sandesh during the 16th – 17th century got popularized both because of the Vaishnavas and Portuguese as they brought to the confectioners the concept of chhana/paneer/cottage cheese. Sweets or mishti as we say in Bengali began to be prepared with these main ingredients and as the very name means this dessert took its place permanently as an item for every occasion and festivals. Good news were supplied with a packet of sandesh and thus this word got entwined in such a way that it came up as if “anybody bringing good news to the family will carry with him a packet of sweets.” Slowly this thing culminated as a societal norm within the Bengali society and it is continuing till date. We all will agree how hearts light up when we are welcomed with sweets and how our happy hormones start working by tasting them.